http://www.joonmoon.net Joon Moon 문준용 portfolio Sun, 06 Feb 2011 12:00:34 +0000 http://www.joonmoon.net en http://joonmoon.net/News http://joonmoon.net/following/joonmoon.net/News Sun, 06 Feb 2011 12:00:34 +0000 Joon Moon 문준용 portfolio 1023974 <img src="http://payload.cargocollective.com/1/0/22612/1023974/exhibition_web_1_720.png" border="0" width="720" height="480" width_o="720" height_o="480" src_o="http://payload.cargocollective.com/1/0/22612/1023974/exhibition_web_1_o.png" align="left" /> Augmented Shadow has been shown at : 2011. 07 MOMA, "Talk to Me", New York, U.S. 2011. 07 "FILE Festival", Sao Paulo, Brazil 2011. 06. DHUB, "I/O/I. The Senses of Machines(Interaction Laboratory", Barcelona, Spain 2010. 12. "Onedotzero X Yota", St. petersburg, Russia 2010. 11. "Microwave International New Media Arts Festival", Hong Kong 2010. 10. Art Center Nabi, "ISMAR 2010", Seoul, Korea 2010. 10. BEXCO, "Art Edition 10", Busan, Korea 2010. 10. 상상톡톡미술관, "동동 숲으로의 여행!", Seoul, Korea 2010. 4. Kellen Gallery in Parsons, "Onezero", New York, U.S. <img src="http://payload.cargocollective.com/1/0/22612/1023974/exhibition_web_2_720.png" border="0" width="720" height="406" width_o="720" height_o="406" src_o="http://payload.cargocollective.com/1/0/22612/1023974/exhibition_web_2_o.png" align="left" /> <img src="http://payload.cargocollective.com/1/0/22612/1023974/exhibition_web_3_720.png" border="0" width="720" height="406" width_o="720" height_o="406" src_o="http://payload.cargocollective.com/1/0/22612/1023974/exhibition_web_3_o.png" align="left" /> <img src="http://payload.cargocollective.com/1/0/22612/1023974/exhibition_web_4_720.png" border="0" width="720" height="480" width_o="720" height_o="480" src_o="http://payload.cargocollective.com/1/0/22612/1023974/exhibition_web_4_o.png" align="left" /> <img src="http://payload.cargocollective.com/1/0/22612/1023974/exhibition_web_5_720.png" border="0" width="720" height="480" width_o="720" height_o="480" src_o="http://payload.cargocollective.com/1/0/22612/1023974/exhibition_web_5_o.png" align="left" /> <img src="http://payload.cargocollective.com/1/0/22612/1023974/exhibition_web_6_720.png" border="0" width="720" height="406" width_o="720" height_o="406" src_o="http://payload.cargocollective.com/1/0/22612/1023974/exhibition_web_6_o.png" align="left" /> <img src="http://payload.cargocollective.com/1/0/22612/1023974/exhibition_web_7_720.png" border="0" width="720" height="406" width_o="720" height_o="406" src_o="http://payload.cargocollective.com/1/0/22612/1023974/exhibition_web_7_o.png" align="left" /> <img src="http://payload.cargocollective.com/1/0/22612/1023974/exhibition_web_8_720.png" border="0" width="720" height="414" width_o="720" height_o="414" src_o="http://payload.cargocollective.com/1/0/22612/1023974/exhibition_web_8_o.png" align="left" /> <img src="http://payload.cargocollective.com/1/0/22612/1023974/exhibition_web_9_720.png" border="0" width="720" height="406" width_o="720" height_o="406" src_o="http://payload.cargocollective.com/1/0/22612/1023974/exhibition_web_9_o.png" align="left" /> <img src="http://payload.cargocollective.com/1/0/22612/1023974/exhibition_web_11_720.png" border="0" width="720" height="405" width_o="720" height_o="405" src_o="http://payload.cargocollective.com/1/0/22612/1023974/exhibition_web_11_o.png" align="left" /> <img src="http://payload.cargocollective.com/1/0/22612/1023974/exhibition_web_12_720.png" border="0" width="720" height="406" width_o="720" height_o="406" src_o="http://payload.cargocollective.com/1/0/22612/1023974/exhibition_web_12_o.png" align="left" /> <img src="http://payload.cargocollective.com/1/0/22612/1023974/exhibition_web_13_720.png" border="0" width="720" height="406" width_o="720" height_o="406" src_o="http://payload.cargocollective.com/1/0/22612/1023974/exhibition_web_13_o.png" align="left" /> <img src="http://payload.cargocollective.com/1/0/22612/1023974/exhibition_web_14_720.png" border="0" width="720" height="406" width_o="720" height_o="406" src_o="http://payload.cargocollective.com/1/0/22612/1023974/exhibition_web_14_o.png" align="left" /> <img src="http://payload.cargocollective.com/1/0/22612/1023974/exhibition_web_15_720.png" border="0" width="720" height="406" width_o="720" height_o="406" src_o="http://payload.cargocollective.com/1/0/22612/1023974/exhibition_web_15_o.png" align="left" /> NEWEST PROJECT : Recently, I directed a documentary film about Sae Byung Kwan, an ancient stronghold in Korea. [...... more] This is the opening sequence of the film created as projection mapping. http://joonmoon.net/Augmented-Shadow http://joonmoon.net/following/joonmoon.net/Augmented-Shadow Sat, 05 Feb 2011 14:46:48 +0000 Joon Moon 문준용 portfolio 1021400 Augmented Shadow2010format : interactive installation dimension : 1050 * 1050 * 950 Augmented Shadow is a design experiment producing an artificial shadow effect through the use of tangible objects, blocks, on a displayable tabletop interface. Its goal is to offer a new type of user-experience. The project plays on the fact that shadows present distorted silhouettes depending on the light. Augmented Shadows take the distortion effect into the realm of fantasy. Shadows display below the objects according to the physics of the real world. However, the shadows themselves transform the objects into houses, occupied by shadow creatures. By moving the blocks around the table the user sets off series of reactions within this new fantasy ecosystem. In this installation, the shadows exist both in a real and a virtual environment simultaneously. It thus brings augmented reality to the tabletop by way of a tangible interface. The shadow is an interface metaphor connecting the virtual world and users. Second, the unexpected user experience results from manipulating the users’ visual perceptions, expectations, and imagination to inspire re-perception and new understanding. Therefore, users can play with the shadows lying on the boundary between the real, virtual, and fantasy. Augmented Shadow utilizes this unique interface metaphor for interactive storytelling. Maximizing the magical amusement of AR, it is embedding an ecosystem where imaginary objects and organic beings co-exist while each of them influences on each other’s life-cycle, even though it is not in use by users. Light and shadow play critical roles in this world’s functions causing chain reactions between virtual people, trees, birds, and houses as shown below. <img src="http://payload.cargocollective.com/1/0/22612/1021400/stillImg11_forWeb.png" border="0" width="670" height="505" width_o="720" height_o="543" src_o="http://payload.cargocollective.com/1/0/22612/1021400/stillImg11_forWeb_o.png" align="left" /> A set of tangible blocks allows users to participate in the ecosystem. Users can influence on the system by playing with the blocks or observe the changes of the shadows as if kids were playing with an ant farm. Installation Configuration : <img src="http://payload.cargocollective.com/1/0/22612/1021400/as_installations.png" border="0" width="670" height="473" width_o="720" height_o="509" src_o="http://payload.cargocollective.com/1/0/22612/1021400/as_installations_o.png" align="left" /> Credits : Katherine Moriwaki Louisa Campbell Marko Tandefelt Loretta Wolozin Zachary Lieberman Anezka Sebek Nick Hardeman Stephen Varga Uros Otasevic Jenny Tsai Yongsub Song Namsoo This project is initiated from my thesis for MFA Design & Technology in Parsons, 2010. http://joonmoon.net/Parsons-Thesis-Symposium http://joonmoon.net/following/joonmoon.net/Parsons-Thesis-Symposium Sat, 05 Feb 2011 14:25:24 +0000 Joon Moon 문준용 portfolio 1021393 Parsons Thesis Symposium ID2009format : motion graphics collaboration : DJ Carol (music) An opening movie and title slugs for Parsons Thesis Symposium. Tried to make a generative motion graphic piece with Jitter. All the visual elements were generated as a response to music, rendered in Jitter, and then added post production in After Effect. Music composed by DJ Carol. http://joonmoon.net/Body-Pen http://joonmoon.net/following/joonmoon.net/Body-Pen Sat, 05 Feb 2011 14:20:23 +0000 Joon Moon 문준용 portfolio 1021372 Body Pen2009format : interactive installation collaboration : Joe Saavedra, Brett Burton Capturing body motion with CV, found the furthest left and right. It controls the angle of tilt of a pen. Mainly tried to make a smoke effect. <img src="http://payload.cargocollective.com/1/0/22612/1021372/bodyPen_snap1.png" border="0" width="640" height="480" width_o="640" height_o="480" src_o="http://payload.cargocollective.com/1/0/22612/1021372/bodyPen_snap1_o.png" align="left" /> <img src="http://payload.cargocollective.com/1/0/22612/1021372/bodyPen_snap2.png" border="0" width="640" height="480" width_o="640" height_o="480" src_o="http://payload.cargocollective.com/1/0/22612/1021372/bodyPen_snap2_o.png" align="left" /> <img src="http://payload.cargocollective.com/1/0/22612/1021372/bodyPen_snap3.png" border="0" width="640" height="480" width_o="640" height_o="480" src_o="http://payload.cargocollective.com/1/0/22612/1021372/bodyPen_snap3_o.png" align="left" /> <img src="http://payload.cargocollective.com/1/0/22612/1021372/bodyPen_snap4.png" border="0" width="640" height="480" width_o="640" height_o="480" src_o="http://payload.cargocollective.com/1/0/22612/1021372/bodyPen_snap4_o.png" align="left" /> . http://joonmoon.net/Projection-Mapping-for-Sae http://joonmoon.net/following/joonmoon.net/Projection-Mapping-for-Sae Sat, 05 Feb 2011 14:08:51 +0000 Joon Moon 문준용 portfolio 1021363 Projection Mapping for Sae Byung Kwan2010format : projection mapping collaboration : Hyunwoo Kim, Inhoe Gu I figured it is worth to keep working with shadows : Among the elements making a projection mapping looks realistic, the shadow is independent from spectator's perspective, while the others are loosing the perspective depending on the view angle. It also conveys a sense of spiritual fantasy. In this installation the shadows are mapped on a single flat model of a building, but conveying powerful impression. I directed a documentary film about Sae Byung Kwan, an ancient stronghold in Korea. This beautiful building is keeping the memories and history of war and peace of several hundred years ago. In this opening sequence, the shadows are used to emphasize the beauty of the building. They visualize the memories of the past which is subtly blended with the present, bringing the spirit into the physical world. http://joonmoon.net/Luzes-Relacionais http://joonmoon.net/following/joonmoon.net/Luzes-Relacionais Sat, 05 Feb 2011 14:04:40 +0000 Joon Moon 문준용 portfolio 1021351 Luzes Relacionais2010format : interactive installation collaboration : Ernesto Klar I worked for new media artist Ernesto Klar as a programming assistant for his audio-visual installation "Luzes relacionais" (Relational Lights). In this project my task was to assist the artist in the development of the custom-software system (CV and computer graphics) using Max and Javascript. The installation has been recently exhibited at FILE Festival in Sao Paulo, Brazil (2010), and is scheduled to be exhibited at more festivals and venues around world. You can read more details in Ernesto Klar's website. <img src="http://payload.cargocollective.com/1/0/22612/1021351/luzesRelacionais.jpg" border="0" width="670" height="167" width_o="800" height_o="200" src_o="http://payload.cargocollective.com/1/0/22612/1021351/luzesRelacionais_o.jpg" align="left" /> “Luzes relacionais” (Relational Lights) is an interactive audio-visual installation that explores our relationship with the expressional-organic character of space. The installation uses light, sound, haze, and a custom-software system to create a morphing, three-dimensional light-space in which spectators actively participate, manipulating it with their presence and movements. “Luzes relacionais” is a hommáge to the work and aesthetic inquiry of Brazilian artist Lygia Clark. http://joonmoon.net/Image-Processing http://joonmoon.net/following/joonmoon.net/Image-Processing Sat, 05 Feb 2011 13:57:52 +0000 Joon Moon 문준용 portfolio 1021333 <img src="http://payload.cargocollective.com/1/0/22612/1021333/goghportait_mediun_720.png" border="0" width="720" height="480" width_o="720" height_o="480" src_o="http://payload.cargocollective.com/1/0/22612/1021333/goghportait_mediun_o.png" align="left" /> Image Processing Application2010format : software collaboration : Atta Kim I worked as a technical assistant for an artist, Atta Kim. I programmed an application that processes a large number of image manipulations for his project, 'Indala'. The final images are made by overlapping 10 thousand photographs for each, so he needed automate the work flow with an customized image application. The challenge was the source images around 30000*20000 pixels (about 2GB each). http://www.attakim.com http://joonmoon.net/AR-Visual-Music-Synthesizer http://joonmoon.net/following/joonmoon.net/AR-Visual-Music-Synthesizer Sat, 05 Feb 2011 13:36:38 +0000 Joon Moon 문준용 portfolio 1021289 AR Visual Music Synthesizer2009format : interactive installation On-going project This was one of technical researches for my thesis project : Tangible Interface for Visual Music Synthesis. This experiment provided me an initial idea about Augmented Shadow, so this project ended up as an experiment. Though it still shows some hints about combining a tangible interface and code-generated visuals, so I hope to work on it later some day. Applying AR technology, I could've gotten a decent method for providing additional visual representations of sound like below. http://joonmoon.net/ofxAlamo http://joonmoon.net/following/joonmoon.net/ofxAlamo Sat, 05 Feb 2011 13:22:53 +0000 Joon Moon 문준용 portfolio 1021272 ofxAlamo2010format : interactive installation collaboration : Joe Saavedra, Clay Ewing, Thanks to Jen Cotton, Zach Gage, and Zach Lieberman A public space projection project using computer vision, in NoHo, NYC. The main idea was detecting the rotation of this cube at Astor Place, tracking the corners where infrared LEDs were attached. After figuring out the shape of the surfaces, some videos are projected on each surface, in real-time. I worked for the software using openFrameworks. More details about this project and the hardware part can be found at Joe Saavedra's Blog Here is documentation from the last attempt. It was fail because of generator issues, and the IR lights not being bright enough : Another big problem was how to use IR light. Joe found a nice way, here's the demonstration : http://joonmoon.net/Medusa http://joonmoon.net/following/joonmoon.net/Medusa Fri, 05 Feb 2010 19:04:01 +0000 Joon Moon 문준용 portfolio 255341 Medusa2009format : real-time sound visualization collaboration : DJ Carol (music) A visual music project. All the visuals were generated as a response to music in real-time with Max/MSP Jitter. Music composed by DJ Carol.